I am forever impressed by the resilience of George McManus’s (1884-1954) imagination across so many decades. He began examining modern American married life with his wildly popular The Newlyweds (later Their Only Child), which was the first family strip and arguably a pioneer of the situation comedy formula. The Newlyweds were the first helicopter parents, doting over and overindulging their Baby Snookums. With the introduction of Bringing Up Father in 1914, he pulled together not only perennial family dynamics (war of the sexes and the generations) but also America’s peculiar anxieties around class. The former hod-toting laborer Jiggs strikes it rich and reluctantly goes upscale and uptown. His wife Maggie and family aspire to social acceptance among the rich, while Jiggs misses boozing with pals at Dinty’s. Let the class-conscious comedy commence.
But as I get my daily doses of classic 1947-era Bringing Up Father from my Comics Kingdom subscription I am amazed at McManus’s relentless sense of play and imagination with themes he had flogged since 1914. How many times did Maggie thwart Jiggs’s nocturnal escape attempt? And yet he doesn’t seem to be phoning it in even three decades in. That breathtaking third panel finds yet another way to tell the same joke, made funny and chilling by the indirect way he reveals Maggie and that McManus precision of pen. Not to mention, McManus finds endless ways to animate those background picture frames, perhaps keeping himself entertained as he adds depth to the strip experience. Just amazing.