Ella Cinders Deserves Her Moment

Ella Cinders (1925-61) was a female comic strip character with genuine character. And this is no small thing in an era of flappers, housewives and career girl stereotypes. While overlooked and under-appreciated, there have always been women both drawing comics and depicted in them. In the 20s and 30s alone we can point to Winnie Winkle, Tillie the Toiler, Dixie Dugan, Polly and Her Pals, Blondie, Connie, Fritzi Ritz, etc. But aside from the most visible heroine of the 20s and 30s strip, Little Orphan Annie, few of these female figures rose above bland cut-outs for the generic idea of the “New Woman.’ Even in the late 1940s, in the crop of more adventurous “Dauntless Dames,” that Trina Robbins and Peter Maresca featured in their wonderful new book, most heroines asserted their presence into the outside world more than they did assert an identifiable personality. Male helpers or wise-cracking boy sidekicks tended to provide the action and sharp banter. Aside from Annie, Dale Messick’s Brenda Starr (1940) is the first leading woman in comic strips to assert ambition and a full range of emotion.

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Not-So-Silly Symphonies: Disney Meets the Depression

Disney’s Silly Symphonies comic strip of the 1930s would not be my go-to place for veiled references to weapons of mass destruction, hobo philosophy, trench warfare or impoverished ghettoes. Much to my surprise, the first year of this brand extension of the studio’s hit animated short series included all of those dark themes and more.

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