Baby Mandrake’s Evil Twin?

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Lee Falk’s tux-clad adventure hero Mandrake the Magician was among the strangest characters on the comic page since his mid-30s launch. As we have covered here before, some of his strips were downright surreal. And so you just know that his origin story must be wild. According to a 1949 flashback sequence, orphaned twins Mandrake and Derek are raised by an island school of monk-like magicians. The boys learn ancient mystic secrets like “Instant Hypnosis, the art of making things appear to be what really aren’t — the art of the seemingly impossible.” But Derek shows his evil nature early and resurfaces in a 1949 story that threatens Mandrake’s reputation. Dig the signature slicked back hair on those toddler tops.

Hey Hef! What Does That Comic Mean?

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Bawdy, boozy, bonkers cartoonist Virgil Partch (VIP) enjoyed his own spread of sex-themed comics in the inaugural issue of Playboy (Dec. 1953). But one of his offbeat toons proved too obtuse for some. The magazine felt compelled to reprint the panel with an explanation for one inquiring reader in the following issue (Jan. 1954). Honestly, I was with reader Frank Crosley when I read it, too. Peeping Tom humor somehow doesn’t age well. Playboy aficionados will recall that VIP not only appeared in the first issue of the pioneering men’s mag but was also previewed on the cover, right under Marilyn Monroe’s waving arm. Famously, Hugh Hefner was himself a frustrated cartoonist, and so his magazine became a trove of great comic art. Hef had published his own book of Chicago-themed carttoons just two years earlier.

Calling Dick Tracy…Again: Shaking Up the Reprint Game

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Chester Gould’s Dick Tracy has been among the most reprinted strips of all time. The reasons are obvious, and I don’t need to rehash this site’s exegesis on my personal favorite. Tracy was the strip that turned me on to classic newspaper comics. Gould’s singular visual signature, his grisly violence, grotesque villains and deadpan hero made Dick Tracy compelling on so many levels. And now we get yet another packaging style from the same Library of American Comics group that finished its magisterial 29-volume complete Gould run, 1931-77. With new publishing partner Clover Press, LOAC has reworked some of its earliest projects, like the magnificent upgrade of Terry and the Pirates and the first six volumes of The Complete Dick Tracy. And now we get slipcased, paperback editions of prime-time Gould, 1941 through 1944. Much more affordable, manageable, and available than the original LOAC volumes, each of which covered about two years of comics, the four $29.99 books are also available as a discounted set from Clover. This new series started as a crowd-funded BackerKit project last year.

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Screwball 101: The Opper Spin

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F.B. Opper was a founding father of newspaper comics generally and slapstick physics in particular. His wild spinning technique established a staple of screwball comics, Here from a 1904 episode of And Her Name Was Maude. More on Opper’s machine poetry here.

Peg-Leg Bates Gets a Cameo in Hank

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The Weekly Weird. Coulton Waugh’s experimental adventure hero Hank was the first disabled character to lead a comic strip. Shortly after losing his leg, the veteran Hank finds inspiration from real-life Broadway sensation, Peg-Leg Bates. Bates was a sensation on the stage show circuit around the country during the 30s and 40s on Broadway. The sharecropper’s son lost his leg in a cotton gun accident at the age of 12. He was determined to overcomethe disability and eventually turned it into a dance routine. More on Hank and Bates here.

The Impaling of The Brow

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Yeah, that’s gonna leave a mark. Impaled on an American flagpole, sadistic WWII spy and Dick Tracy villain The Brow gets poked by poetic justice. More grisly villain deaths from Tracy creator Chester Gould here.

Gould’s Dick Tracy is my lifetime favorite strip, which I have already recounted in our About Panels and Prose section. I have covered Dick Tracy from many angles since starting this site years ago. You can find pieces on Flattop, Flattop Jr. the arch conservatism of Gould and his here, as well as assorted short takes on Tracy here.

“Fake News” Hot Off the 1894 Presses

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The Weekly Weird. In 1894, Puck magazine took aim at the rising influence of increasingly sensational and less costly city newspapers. Here, Frederick Burr Opper, who would go on to be one of newspaper comics’ founding fathers, called out Joseph Pulitzer in particular as a purveyor of “fake news.” More on the full cartoon here.