Zeitgeist Funnies: The Paranoid Style…Of 1898

We often forget that the first generation of newspaper cartoonists were  newspapermen.  Pioneers of the “funnies,” like R.F. (Yellow Kid) Outcault, Rudolph (Katzenjammer Kids) Dirks, F.B. (Happy Hooligan) Opper, Jimmy  (Little Jimmy) Swinnerton, Winsor (Little Nemo) McCay, as well as Art Young, Walt McDougall, George Luks emerged from newsrooms into the new comics supplements after 1896. They often spent years illustrating breaking stories and drawing pointed editorial cartoons while they were also inventing the comics as a new mass entertainment. The tone and style in these new comics pages were different – often ironic and satiric, screwball and sketchier – but they brought to these lighter arts the journalist’s deep acquaintance with all aspects of turn-of-the-century America. Outcault himself recounted how news gathering journeys through the slums of New York in the 1890s provided the raw material for Hogan’s Alley.

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“Gin-Guzzling Females” Play Catch With Baby: The Police Gazette’s Victorian Leer

It was a kind of Victorian soft porn. For over a century, The National Police Gazette was ubiquitous at men’s clubs, barber shops, saloons, general store backrooms. The Gazette was the 19th Century forerunner of modern men’s magazines, the supermarket tabloids of my generation, and the viral news memes of today. It was also part of the changing visual culture of the late 19th Century that seeded the ground for the flowering of newspaper cartooning to come.

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The Obsessive American: Fixations, Tics and Mania in Early Comicdom

Superstitious Sam

Early newspaper cartoonists had a fixation on fixations. From the relentless politeness of Alphonse and Gaston to the ravenous Hungry Henrietta to Mr. Jack’s apparent sex addiction, the comedy of dysfunction was central to the first decade of the medium. Rooted in caricature, and visual shorthand, cartooning has always been dominated by social typing of one kind or another. Racial stereotyping was rife, of course, in the first decade of strips especially. But they joined prankish kids, hapless husbands, befuddled cops, prissy socialites, country hayseeds, and wacky inventors in a kind of repertory cast of the comics pages in these years. But sometime after 1900, many cartoonists zoomed into specific characteristics, obsessions, and idiosyncratic tics to define a strip.

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Deep Cuts: Quick Takes on Our Golden Age of Comic Strip Curiosities

About 10,000 different comic strip series emerged in American newspapers during the medium’s first 75 years, Jerry Robinson estimated in his 1974 history. I guess it all depends on what you count. Holtz’s magisterial 2012 “Encyclopedia” included just over 7,000 entries covering more than a century of strips. Whatever math you use, however, it is clear that a signature feature of the comics medium has been the sheer volume of creative variety. In fact, I would argue that among the competing commercialized mass media of the last century, the comic strip enjoyed a unique range of idiosyncratic, highly personal artistic visions.

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Paging Dr. Perfect: Rex Morgan Wants a Word

This just in from 1948… . Let’s give it up for doctors, expertise, institutional authority and the principles of science they represent. Nothing speaks to the post-WWII shift in American culture and comics as starkly as this Christmas 1948 message from Rex Morgan, M.D. The rise of the institutional hero was clear.

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“Demented Woman Drops Thirty Feet…And Lands on Policeman’s Head”

In the first decade of newspaper comics, the line between familiar illustrated journalism and the emerging styles of cartooning sometimes blurred. My favorite example of those two worlds commingling is this news drawing from The San Francisco Call (Jan. 30, 1901), “Demented Woman Drops Thirty Feet From Hotel Fire Escape and Lands on Policeman’s Head.”

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“Stop Biting!”: Cairo Jones’ Hard-Boiled Cheesecake

The home front during World War II was a wonderful arena for gender reassignment. As we explored via E. Simms Campbell’s quick-witted and curvaceous “Cuties,” women adopted new roles with so many American men overseas, and this helped shake up, if for a while, a number of longstanding stereotypes across popular culture. Just as women were ready, willing and able to fill vacant jobs from the assembly line to management, they were just as ready to become adventure heroes.

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