Apparently, getting a date was never easy, and the contemporary swipe-left, swipe-right mobile media is just the latest twist on an old genre – the “personals.” This short-run comics series of 1904, “Romance of the ‘Personal” Column,” in Joseph Pulitzer’s New York World reminds us that Americans were already jaded about the deceptiveness of these early versions of the dating app over a century ago. The strip followed a familiar formula. Our misbegotten suitor finds that the reality of his blind date is frighteningly different from his impression of the ad. Thus, he flees in panic; from a widow’s horde of kids, a muscle-bound athlete, and, in a racist turn that was standard in the day, a “dark brunette” who turns out to be Black. “Romance of the ‘Personal” Column” only ran a handful of times, but it is the kind of early comic strip trifle that surfaces a number of important themes in the cultural history of the first newspaper strips.
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The Fabulous Furry Revolution
The United States has never made a bold move forward without anchoring it in a reading of the past. Our “Founding Fathers” have been carted out regularly to sanctify everything from The Civil War to Progressive and New Deal reforms, the Civil Rights movement to Reaganism. Americans like to frame changes in our politics and culture not as radical breaks from the past so much as realizations of original principles. It is self-evident in our own time. Consider the distance between Lin Manuel Miranda’s Hamilton and the countless founders bios from Fox News hosts. Arguing about America’s future is always grounded in a a declaration about its past.
It should not surprise us, then, that one of the most ambitious projects in the underground comics movement of the 1970s was a cartoon retelling of the war that started it all. The 50th Anniversary reissue of Gilbert Shelton and Ted Richards’ Give Me Liberty: A Revised History of the American Revolution is a cause for appreciation and reflection on the rich legacy of the 60s/70s counter-culture. Across 1975-76 in the pages of their Rip-Off Press comic books and underground newspaper syndicate, the creator of the Fabulous Furry Freak Brothers and collaborator on the Disney-defaming Air Pirates combined well-researched history with hippie irreverence.
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Panels & Prose 