Tag Archives: Reviews

Roy Crane, Wash Tubbs and the Art of Cartoony Realism

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Roy Crane always seemed to me underappreciated in the pantheon of comic artists. True aficionados of the medium recognize his talent, of course. But in that larger gallery of cartoon notables, we tend to mention him more than study him. Too often, Crane is recognized off-handedly for originating the continuous story adventure strip with Wash Tubbs (1924), a genre that then reached its height in Alex Raymond’s detailed illustrative style, Milton Caniff’s chiaroscuro and cinematic effects or Chester Gould’s primitive Grand Guignol.

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Badly MAD: Snafu and Misreading Kurtzman

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Harvey Kurtzman and Hugh Hefner were the two towering figures of 1950s culture who showed how idiosyncratic personal vision innovate even in an era of corporatized modern mass media. The best evidence of this is the abject failure of other publishers to imitate their success, at least in their first decade. Kurtzman’s MAD and Hef’s Playboy were singular efforts that made the many knock-offs seem like crude and exploitive misunderstandings of what these geniuses had wrought.

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Exploring Pre-Code Comfort Comics: Atlas’ Weird Worlds and Bill Everett

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Reviewing Atlas Comics Library No. 9: Adventures Into Weird Worlds and Atlas Creator Collection, No. 3: Bill Everett

The Fantagraphics project of reprinting extended runs and top creators from 1950s Atlas comics continues at a breakneck pace. I won’t bother arguing whether such a completist approach to non-EC pre-code comics is worthwhile. Clearly the effort found a hardcore market of fans for exceptionally well restored, presented and contextualized output from the pre-Marvel days of Marvel. Dr. Michael J. Vassallo provides dense intros that both situate the title at hand as well as add to his ongoing history of Atlas. In this case we get the first 10 issues of Adventures Into Weird Worlds (1952), one of the better efforts to cash in on the peaking horror/weird comics craze. Some of the greats of the pre-code genres are here: Russ Heath, Joe Maneely, Bill Everett, George Roussos, and even a Bernie Krigstein effort (albeit underwhelming). While all of these artists clearly are hacking it out here and working generally in second gear, there are joys to be found nevertheless.  

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World-Class Malice: 20 Favorite Comic Strip Villains – Part 2

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As we move more deeply into the 1930s and the peak years of comic strip adventure, some of the most recognizable and enduring cartoon fiends emerge. The villainy enlarges to suggest global criminal conspiracies and political power as it also becomes more sadistic. Newspaper comics are edging towards the outsized heroes and super-villains that formed the foundation of the comic books to come. [For the first installment of our valley of villains, refer to Part 1.

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Book Review: Hal Foster’s Tarzan Years – Building A Great White Father

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We could easily frame Hal Foster’s 1931-1937 run of Tarzan Sunday comics merely as a pleasant preamble to his magnum opus, Prince Valiant. By his own admission, Foster was a reluctant cartoonist. The successful magazine and commercial artist carried that world’s condescension towards the comic strip. Famously, he quipped in 1984 that being invited to replace Rex Maxon on the Tarzan Sundays was “To be asked to sell my birthright for a mess of pottage.” But the Great Depression had hit advertising and print media hard, so Foster took the life raft. But as TASCHEN’s new and definitive reprint of his Tarzan years shows, Foster was doing more than warming up. Others like Frank Godwin and Nell Brinkley had already started to introduce less cartoony, more illustrative styles to comics pages. But Foster brought into the mix dynamic, realistic figure art, a remarkable attention to color, and an appreciation for spectacle that newspaper Sunday pages hadn’t seen since the earliest years of experimentation by the likes of McCay and Feininger.

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Fantagraphics at 50: Associate Publisher Eric Reynolds on Keeping Classic Comics Alive

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Fantagraphics celebrates its 50th anniversary this year and continues its mission to preserve and promote the comic arts. We spoke at length to the company’s longtime editorial fixture, From Popeye to Pogo, Krazy Kat to Charlie Brown, few companies have been such prolific archivists of the comic strip tradition. Anniversaries are a good time to check in. And so we visited with VP/Associate Publisher Eric Reynolds to explore preserving comics history and preview of the delicious releases they have planned for this milestone year.

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Making Charles Dana Gibson Sexy Again

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This is a good time for modern comic strip fans to recall Charles Dana Gibson’s role in late Victorian American culture. The most famous illustrator of his day had a calming, languid line and upscale focus that contrasted sharply with everything the early newspaper comic strip represented. Just as a tsunami of recent comic strip reprints celebrate the raucousness of 20th Century cartooning, Gibson’s epoch-defining artistry reminds us of what the “vulgar” new medium was disrupting. It also suggests why the scions of civility found the Sunday supplements so offensive and magazine illustrators like Gibson so engaging.

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