McDougall’s Trolley Launches the Sunday Comics

This Walt McDougall comic should be more famous than it seems to be. On March 21, 1893, Joseph Pulitzer’s New York World published the first true color comics supplement of the modern era.1 It was a landmark effort that soon placed cartooning at the center of newspaper circulation wars and sparked a new mass medium. It is beyond me why this inaugural comic supplement cover is not more widely studied.  McDougall’s “Broadway Cable Car Possibilities” was more than an historical marker.  It carries within it, much of what made newspaper comics so appealing so quickly.

Continue reading

Thimble Theatre Before Popeye: E.C. Segar, American Humorist

Popeye’s impact on E.C. Segar’s Thimble Theatre in 1929 was so enormous that the previous decade of the strip’s life soon became a footnote to comics history. But, of course, Segar’s legendary storytelling skills in sagas like Plunder Island and the Popeye’s Ark/Spinachova cycle did not spring spontaneously from any newfound talent. He spent the previous decade developing a unique comic voice. Until now, the only deep dive into Pre-Popeye Thimble Theatre came from the beautiful, oversized, pricey collection from Sunday Press that collected select color Sundays across the1920s. But two new reprints of extended daily runs now let us zoom into the maturation of this singular American humorist through extended runs of the dailies. Thimble Theatre, The Complete Dailies, 1919-1920 (Boring Comics) initiates a multi-volume reprint project of all pre-Popeye strips from Library of American Comics veteran Kurtis Findlay.  And Thimble Theatre: “The Saga of Cylinda Oyl” Vol. 1, which covers April 22, 1926-Jan. 19, 1927) starts three-volume coverage of a major story, which comes to us from filmmaker Frank Tovar.

Continue reading

Roy Crane, Wash Tubbs and the Art of Cartoony Realism

Roy Crane always seemed to me underappreciated in the pantheon of comic artists. True aficionados of the medium recognize his talent, of course. But in that larger gallery of cartoon notables, we tend to mention him more than study him. Too often, Crane is recognized off-handedly for originating the continuous story adventure strip with Wash Tubbs (1924), a genre that then reached its height in Alex Raymond’s detailed illustrative style, Milton Caniff’s chiaroscuro and cinematic effects or Chester Gould’s primitive Grand Guignol.

Continue reading

Paging Dr. Perfect: Rex Morgan Wants a Word

This just in from 1948… . Let’s give it up for doctors, expertise, institutional authority and the principles of science they represent. Nothing speaks to the post-WWII shift in American culture and comics as starkly as this Christmas 1948 message from Rex Morgan, M.D. The rise of the institutional hero was clear.

Continue reading

“Demented Woman Drops Thirty Feet…And Lands on Policeman’s Head”

In the first decade of newspaper comics, the line between familiar illustrated journalism and the emerging styles of cartooning sometimes blurred. My favorite example of those two worlds commingling is this news drawing from The San Francisco Call (Jan. 30, 1901), “Demented Woman Drops Thirty Feet From Hotel Fire Escape and Lands on Policeman’s Head.”

Continue reading

“Stop Biting!”: Cairo Jones’ Hard-Boiled Cheesecake

The home front during World War II was a wonderful arena for gender reassignment. As we explored via E. Simms Campbell’s quick-witted and curvaceous “Cuties,” women adopted new roles with so many American men overseas, and this helped shake up, if for a while, a number of longstanding stereotypes across popular culture. Just as women were ready, willing and able to fill vacant jobs from the assembly line to management, they were just as ready to become adventure heroes.

Continue reading

The Little Bears: Paws and Personality Germinate a New Medium

Jimmy “Swin” Swinnerton drawing his Little Bear


Jimmy Swinnerton’s adorable cartoon bears are generally considered the first recurring daily newspaper comic character. More than that, however, he may have been smarter than the average bear. He may also be an important bridge across traditional newspaper illustrated reporting and editorial cartooning that spawned the very different conventions of comic strips as we came to know them. 

Continue reading