By the summer of 1937, Disney’s Mickey Mouse cartoons and the syndicated strip had already become worldwide ambassadors of American mass media. Like Charlie Chaplin in the previous decade, Mickey’s simple visual signature and deft antics translated well from Europe to Asia. The Mouse had effectively displaced The Tramp as an international icon of slapstick. But in August 1937, with Floyd Gottfredson’s Medioka story line, the ambassadorship becomes self-conscious and reflexive..even politicized by both creators and at least one government. Mickey journeys off to the vaguely Slavic kingdom of Medioka to save its corrupt government and oppressed people from feudalism with American ingenuity, empiricism and democratic character. It is the most explicit exercise of the American exceptionalism mythology we are bound to see in comics history, even if it has all of the political subtlety of a Yellowstone episode.
Continue readingPeak Segar: Plunder Island (1934)

The Plunder Island sequence of Thimble Theatre Sundays that ran from December 1933 to July 1934 was E.C. Segar’s signature epic. It concentrated most of this master’s diverse talents and blended the many genres Thimble Theatre traversed into the strips most impressive run. Fabulism, farce, adventure, sentiment, venality, romance, screwball — all and more are here. And along the way, Segar even fleshes out and distinguishes among his key characters.
Continue readingThe Democratic Genius of Clare Briggs
The great Clare Briggs (1875-1930) continues to impress me as perhaps the most under-appreciated figure in American comics history. He was by no means a distinctive stylist or draftsman of the sort that helps us better remember fellow greats like McCay, McManus, Herriman, Sterrett, King or Gould. But in the staggering range of cartoon series he conceived (When a Feller Needs a Friend, The Days of Real Sport, Mr. and Mrs., Real Folks at Home, Movie of a Man, Wonder What _____ Thinks About, among others) he demonstrated a range of human empathy, attention to emotional detail, and a social/class sensitivity that seems to me unmatched by any other American comic artist. Briggs was among the highest paid cartoonists of the 1920s, and widely known and beloved by audiences who were shocked at his premature death at aged 55 in 1930. His loss to the field was so deeply felt that his publisher issued a multi-volume memorial retrospective of his greatest work shortly after his death.
Continue readingShelf Scan 2024: Can’t-Miss Comic Book Reprints

We go a little off the reservation this time to embrace a few pre-code comic book reprints and underground favorites that have come back into print this year. Classics from Joe Sacco and Richard Corben resurfaced this year to garner new audiences, and Fantagraphics’ ambitious schedule of Atlas Comics reprints took off. And we get to watch the mayor of Duckburg discover his adventurous side.
Continue readingShelf Scan 2024: Reviving Calvin, Nancy, Flash, Mandrake and Popeye…Again.
There are now generations of young adults who have no memory of daily newspapers, let alone that back page and Sunday section of comics. Without that experience, I wonder how that legacy survives and continues to inspire everyday readers and young artists. If the volume of classic reprints this year is any indication, however, we graying lovers of newspapers past can’t be the only market for decades-old dailies. Many essential strips enjoyed fresh or continuing reprint projects this year that keeps the likes of Popeye, Nancy, Mandrake and more on current store shelves. Even the most reprinted strip of the last generation got revisited in 2024.
Continue readingShelf Scan 2024: Necessary Reprints – From Anita Loos to Betty Brown
Moving through this year’s shelf of notable titles for comics aficionados, I wanted to call out several projects that revived forgotten or previously uncollected work. From a pharmacist heroine to an illustrated prayer, the ultimate 20s flapper to a pioneer of cartoon journalism, 2024 surfaced some real gems.
Continue readingShelf Scan 2024: Taschen’s Ultimate Duck
Kicking off this year’s roundup reviews of notable books for comics history buffs, let’s start with the annual Taschen doorstop.
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